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They have basically everything you could possibly need to mix a record - an EQ, a compressor, gate, and gain staging for input and output to match the volume of the original and processed signals. Mixing desks have become and will likely stay a staple part of mixing for now and the foreseeable future and its for good reason!
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Channel strips have been used for decades long before plugins were even conceived. There is an EQ function as mentioned above, and various options for components similar to the option between smash and grab functionality but both sound very different to each other and have their perks depending on what type of mix you’re trying to achieve - the main thing is to have a reliable compressor that you can throw on a track and know it’s going to work every time!Ī Channel Emulation This is by far the best way to streamline your production in the long run. Other options I’ve used in place of this in prior sessions is the Pawn Shop V2 Compressor from Korneff audio which works in a similar manner. With the Beef and Air function for final adjustments to the low and high end of the source (I’m yet to find an EQ plugin that does anything similar) All round, it’s an incredible plugin!
SAFFIRE MIXCONTROL CONFUSING AS HELL PRO
This compressor isn’t just great for drums however, it's wonderful in the pro settings to tailor for vocals, guitars, and anything else you throw at it. One of the main features, and the function it’s named after is the Smash or Grab function which allows 2 options between pre-set attack, release and ratio settings which immediately allows you to gauge what sort of compression is needed depending on the mix Control or Smack. For the new users or if you’re mixing to a short deadline, the Normal function is what Adam Getgood has designed it to be the typical attack, release, and ratio settings for each one of the options on the next dial beside it, which allows you to select each one of the parts of a kit to get you the sound you want. There are 2 main functions that the plugin features - Pro and Normal. Without a shadow of a doubt, this plugin is great for nearly everything I’ve put in front of it. Recently, my go to for this has been Smash And Grab from GetGood Drums. This article can help you focus on learning these key plugins as opposed to constantly fluttering between different options, or trying to feed the never ending GAS (commonly referred to as Gear Acquisition Syndrome!)
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My studio has been packed with new artists and long term clients paving the way for some incredible new music.īut one thing occurred to me during the busiest week I’d had for purely mixing - 3 plugins that it would seem I can’t mix without, and I strongly believe this should be the case for all mixing engineers, especially if you’re just starting out.